Subscribe
now to receive all the new
music
Floating Limb creates,
including this release
and 36 back-catalog releases,
delivered instantly to you via the Bandcamp app for iOS and Android.
Learn more.
Four pieces for string ensemble commissioned by the London Word Festival for their 2010 edition to accompany a new work by the great poet, Chris McCabe. The pieces are interspersed by recordings taken along the Thames around the Isle of Dogs, which were mangled up and used for sound design in the performance.
From the original listing..
"The history of the Docklands is that of a city building upwards, from the monstrous bunkers of the docks themselves to the glass pillars at Canary Wharf. Whenever the means of profit-making have changed, Docklands has always been prescient and protean in its survival instincts. The success, and failure, of the current financial centre echo the creation of the original docks: control of local communities for global trading, the hegemony of private investors and monolithic architectural statements of presence.
Set in a pub that has stood on the site since the sixteenth century, Shad Thames, Broken Wharf eavesdrops on a conversation between three characters – Echo, a middle-aged woman who has lived her life in the area; Blaise, a northerner who finds resonances with the more familiar docks at Liverpool; and the gregarious landlord, a Londoner with ‘the knowledge’. Breaking into the dialogue, The Restructure is a sinister, all-knowing Public Service Announcement with ‘advice’ to share with anyone who’ll listen…
Shad Thames, Broken Wharf is a newly commissioned play of voices by acclaimed poet Chris McCabe that spans centuries of changes across the Docklands, allowing past ghosts to be heard above the white noise of the polemical present."
These pieces were only ever intended as guide recordings for the dozen or so members of the original ensemble but, having listened to them for the first time in over a decade, it seemed a shame to let them digitally moulder on a dusty hard-drive. Some of the tuning is a little wayward, and I'd have likely mixed these a little differently had I written these now, but I no longer have the software that I recorded them on. So, aside from a final polish on the master files, here they are, all imperfections lovingly included.
credits
released April 1, 2024
All pieces written, performed and recorded by Oliver Barrett.
Score originally commissioned by the London Word Festival, 2010 (ensemble billed as Bleeding Heart Narrative for the event)
Thanks to Tom Chivers, Chris McCabe, Max Bondi, Jack Wake-Walker and all of the cellists, violinists, viola players, guitarist and harmonium bellower who performed these pieces on the night.
supported by 5 fans who also own “Shad Thames, Broken Wharf”
It's a concept album about the spiritual implications of nuclear storage facility with an unfathomable lifespan. What can one do save be blown away by it? Oddball
New album from Meg Duffy, dubbed as a personal glimpse into the artist's lush solo work. Dreamy, intimate folk-centered recordings. Bandcamp New & Notable Feb 7, 2017